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                <text>Cet article présente la fondation de la ville du Pirée moderne entre 1833 et 1838 à la lumière d'archives inédites issues du fonds du ministère grec de l'Intérieur de l'époque du roi Othon Ier conservé aux Archives générales de l'État à Athènes. Cette documentation montre comment l'immigration vers le Pirée a été largement canalisée par l'administration grâce à la constitution de colonies de peuplement ( synoikismoi ). Elle met en évidence un modèle original de fondation d'une ville portuaire en Méditerranée orientale, sortie littéralement du néant. On y voit la constitution d'une communauté d'habitants avec le rôle essentiel des originaires de Chios puis d'Hydra qui forment les deux groupes principaux, à la fois séparés et réunis dans la nouvelle ville puisque chacun a son quartier, sa paroisse, son église.</text>
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                <text>Dans l'horizon intellectuel du début du XIXe siècle, on observe de nouvelles approches sur le paysage qui sont le corollaire du goût de l'époque pour l'exotisme et sa tendance au relativisme historique. Nous y assistons à "une poétique des ruines" dans laquelle les ruines, tout en perdant la fonction première pour laquelle ces constructions du passé avaient été conçues, font surgir tout un monde vivant dans un aujourd'hui fait de réminiscences. Edgar Quinet, en évoquant son séjour en Grèce, présente une réflexion sur l'hellénisme qui se caractérise par une longue et progressive appréhension des paramètres du monde grec en tant qu'entité culturelle, en rendant présente toute sa polyphonie historique et esthétique. Υ sa manière, il adopte l'optique herdérienne de l'intériorisation, mais à la différence de Herder, il n'abandonne pas tout à fait la perception extérieure des choses qui correspond à la raison des Lumières. Υ la suite de Georg Friederich Creuzer, son maître à Heidelberg, le jeune Quinet historicise le langage symbolique, et voit dans le symbole et le mythe un langage spontané. Il tend à comprendre la compénétration des arts et de la nature, et il choisit de retenir la configuration spatiale et de décrire les vestiges des monuments pour arriver au temps passé.</text>
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                <text>This article aims to shed light on the competition between Greeks and Jews in the multi-ethnic context of Odessa, suggesting that rivalry was  "the dark side of the moon", while the other side was characterised by conviviality, basically through assimilation and upper-class solidarity.</text>
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                <text>The Dark Side of the Moon: Rivalry and Riots for Shelter and OccupationBetween the Greek and Jewish Populations in Multi-ethnic Nineteenth-century Odessa</text>
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                <text>The Dark Side of the Moon</text>
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                <text>The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution in educational and other non-commercial sectors.  The Historical Review/La Revue Historique  retains the right to publish papers that appear in the journal in collective volumes published by the Institute for Neohellenic Research/National Hellenic Research Foundation.  Sample acknowledgement: Reprinted with permission from the author. Original publication in the  The Historical Review/La Revue Historique   www.historicalreview.org   This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Greece License. To view a copy of this license, visit  http://creativecommons.org/licenses/by-nc-sa/3.0/gr/deed.en  or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA</text>
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                <text>The first period of Albanian rule in Northern Epirus, from 1912 to 1945, witnessed a continuation of the oral tradition enriched by the experience of the unceasing struggle for liberation. It should be stressed that what we now call "literature of the ethnic Greek minority of Albania" is in fact nothing but an integral part of Greek literature. It is the literary output of the Greek inhabitants of the area who, despite the adverse political developments that left them outside the borders of the Greek state, maintained their creativity and their Greek identity. From 1945 onwards, with the establishment of the People's Republic of Albania, any attempt to assess the literature of the Greek minority in Northern Epirus stumbles upon the political and national dichotomy of the land and its people. Firstly, the writers who identified themselves with the Communist ideals were following the principles of Socialist Realism. Secondly, those who followed a path of silent resistance and struggled for the preservation of the Greek language reverted to allegory and cryptic writing.</text>
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